works:

thepoetseyeisthepainterseye,andpaintingarybeeone.

thosevaorelateronwhen

seriesofiressions,vividandunfettable,andleavesrelyaflavour,an

pressionisticteique.itisateiquehgivesa

lkyhenpaintiogetheronafiatsurface.thusliuyuhsi772842

firstthehillsinthepainting,

forrexalefroipo,theartliesintheseleofainthefround

thehills.inthissense,an

andabovethetreesahundredsprings.

uandiheartofsublition,suggestion

inanycase,thepaierfinishinghispaintingusuallyesaverseatthetopin

fround,thereadergainsaclearperspectiveotherpossible.ashthe

indefinablefeelingbehind,hereaderssedoesnotsatisfyhis

thepictureteiquehereisperfect:thehilltopsappearingasseveral”dots”overthe

thenthepaintinginthehills.

aseriesofetreesinthe

toev

foranautuse:severaldotsofhillsoverthewall.

e:

ingproper.butthisaffinityisresponsibleforanotherpointin

uandliliatic

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ilarityofteilarityofthes,

andartisticrestraint.thepoetdoesnottrytosayallhehastosay.hisbusinessisbut

tosetitoffagainsttheobjethedistanlouds,ades,hilltopsandthe

onlybefoundountainges,f,afterthepreviousnightsrainfall,

ofurse,itrequiresalittleefforttoigine”springsoops”he

thisaffinitybetorenaturalandapparentwhen

exactheinal;butexaausesutiveissorareand

andthefasoverse.