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oddnts,andyouhaveapictureoftherelatiohe

greatchukoliangireetsofoldpeking.

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fnvisitorsatesetheatresareoftenstruruciatingnoise

havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso

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...

ofthepeople.igineapeopleassesknoireetsandatall

”civilized”odetheatrebuildings.

inofthedruandgongsandthefalsettolybeuoodinthelightof

orlessaloaintraditio

theesetheatreofthebettertypeinayardliketheelizabethare.

abovethegroundiatheopen,orshtacrossathhfare,tobetaken

st,oobe

thepoor.deeperthananyotherliteraryart,theoperashavegohehearts

arealfoodof

butsohoselvestoit,asthearishave

heardaleaovies.when

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lovelyasthetaryis,asandtheodddratigs

esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe

ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe

fropurelyliterarypointofvieatiatypeofpoetry

it.tiedand

usedasaansofattragattention;theyalheplaysanduldbe

frohesaxophoneandothersounddnessfrohejazzbandany

esetheatresurroundings.

or”operania,”aenseeaniafthelohdishevelled

dodiatelyaftertheoasioheatrehereforeintheopenandthe

yfireliefthat,

actorshadtopetehthepeddlerscries,thebarberstuningforks,the

aniaina,unknoi

stagediheatrebuilding,thevoluofhusproducedistrulyterrific,

instcases,hoph

enatingfrohegongsanddruinlitaryplaysandtheequallynerverag

adaptedtheelvestojazz.theyheylifetogeta”kick”outof