繁体
falsettooflesingers,.this
abovethegroundiatheopen,orshtacrossathhfare,tobetaken
fnvisitorsatesetheatresareoftenstruruciatingnoise
lovelyasthetaryis,asandtheodddratigs
butsohoselvestoit,asthearishave
aniaina,unknoi
heardaleaovies.when
ltsugarsellerssllgongs,theshoutingofn,enandchildrenandthe
or”operania,”aenseeaniafthelohdishevelled
it.tiedand
usedasaansofattragattention;theyalheplaysanduldbe
yfireliefthat,
actorshadtopetehthepeddlerscries,thebarberstuningforks,the
”civilized”odetheatrebuildings.
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fropurelyliterarypointofvieatiatypeofpoetry
havebeenheard,asanybodyyverifyforhielf.thegongsanddruwerealso
adaptedtheelvestojazz.theyheylifetogeta”kick”outof
greatchukoliangireetsofoldpeking.
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orlessaloaintraditio
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enatingfrohegongsanddruinlitaryplaysandtheequallynerverag
dodiatelyaftertheoasioheatrehereforeintheopenandthe
unterevideheapparentforteristoleratesqueaks
theesetheatreofthebettertypeinayardliketheelizabethare.
hairandcladintatters,singingtheairsofkunggdagthepartofthe
stagediheatrebuilding,thevoluofhusproducedistrulyterrific,
...
instcases,hoph
frohesaxophoneandothersounddnessfrohejazzbandany
oddnts,andyouhaveapictureoftherelatiohe
barkingofdogs.abovesuchadin,onlyathinfalsettokeyedinahighpitchuld
ofthepeople.igineapeopleassesknoireetsandatall
esetheatresurroundings.
esegentlensnervesonend.itispossiblyallaquestionofadaptation.butthe
inofthedruandgongsandthefalsettolybeuoodinthelightof
thepoor.deeperthananyotherliteraryart,theoperashavegohehearts