realisethatthesee.”

sotiseveyinslouessularity.thustheartofcalligraphy

inanythioftheeseartistid.

asthisarthasahistoryofhousandyears,andaseveryertriedto

andforandithasdoneso

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

sihofthehorse,

certaintypes,suchastheyularityorofaforevertoppling

distinguishhielfbyaructure,therefore,incalligraphy,if

basesofesenotionsofbeauty.

stfruitfulofresultsoodandapplied.asstated,ese

hasbeenexplored.theientpossible,andtheeseters,heoretically

aesthetiisticipleaybe

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

cultivationandappreciationofpureposition,

providesasofaesthetiiationayhe

hebranflohafehespringing

strusustsolveforhielf.thus,through

field,everyvarietyofrhythasbeeeduponaypeofstructure

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

byderivingitsartistinature,espeals梩

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

fpaintii

fotten,andthelinesandforareappreselves.inthis

position,standsiiontopaintingaspuretheticsstandsiionto

fundantalstrokesofing.ifthereisohis,hewill

such,asapartfrotent.apaintinghastonveya,butaten

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isofsignificetotheisthefactthat,notonlyhasitprovidedthe

itseetothatand

therefore,theairedevotiontopurefors

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree