distinguishhielfbyaructure,therefore,incalligraphy,if

such,asapartfrotent.apaintinghastonveya,butaten

therefore,theairedevotiontopurefors

andforandithasdoneso

fotten,andthelinesandforareappreselves.inthis

providesasofaesthetiiationayhe

sotiseveyinslouessularity.thustheartofcalligraphy

force,suppleness,reservedstrength,exquisitetendeess,sness,ness,

theresobehtypesarenoteasilyseeninotherfieldsofeseart.

byderivingitsartistinature,espeals梩

charaveysonlyitsoyoflineandstructure.inthisabsolutelyfree

certaintypes,suchastheyularityorofaforevertoppling

inanythioftheeseartistid.

stfruitfulofresultsoodandapplied.asstated,ese

toappreciateharny,proportion,ntrast,balance,lengthiness,paess,and

structurethatyetkeepsitsbalance,heeersbytheirfinesse,all

...

hebranflohafehespringing

basesofesenotionsofbeauty.

itseetothatand

field,everyvarietyofrhythasbeeeduponaypeofstructure

fundantalstrokesofing.ifthereisohis,hewill

cultivationandappreciationofpureposition,

isofsignificetotheisthefactthat,notonlyhasitprovidedthe

strusustsolveforhielf.thus,through

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aesthetiisticipleaybe

squarebutareposedfroheoddestelents,presentaninfinitevarietyof

engineeringorastrono.inappreciatingesecalligraphy,theaniirely

realisethatthesee.”

hasbeenexplored.theientpossible,andtheeseters,heoretically

fpaintii

calligraphy,theesescholaristraioappreciate,asregardsline,qualitieslike

bodyoftheleopard,thessivepahetiger,theslegsofthedeer,the

asthisarthasahistoryofhousandyears,andaseveryertriedto

position,standsiiontopaintingaspuretheticsstandsiionto

ssiveness,ruggedness,araintorfreedoandasregardsforheistaught

sihofthehorse,