hewillbe

abletheprinesecalligraphy.thesebasic

nn.itoachievea

seeninastudyofesepaintingandarture.inthelinesandpositionof

naofanart.

spirit.

enoofterial,rkedbythenyblankspaces,anideaofposition

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

nner.sohohepicturebeforeushasundergoneaninnerprocessof

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

atsphereallitso

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poetry,painting,arture,porcelainandhousederations,aialunityof

painting,butessentiallydifferentandachievedbydifferentans.itshoain

epoetry.thatdifference

iii.painting

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thepointsofntrastarationeasiertotradhatthe

odeepainting,and

sandstructuresofesearture,weshallbe

abletoessquare,inlinesandfortrulyhyofthe

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

ishardtograspandexpress.ithasaosphere,visibleine

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

transfortioniistsnd,shoofitsirrelevasdisharnies,and

givingusonlyapletelysatisfying

thefullsignifialligraphyasthebasisofeseaestheticswillbe

esepainting,thefloure,isdistinguishedbyaspiritandan

boldnessandfreedofthebrushpresstheonlookerinanunfettable