ideasofrhythforndatspheregivethedifferentlinesofeseart,like

nner.sohohepicturebeforeushasundergoneaninnerprocessof

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iii.painting

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

esepainting,thefloure,isdistinguishedbyaspiritandan

spirit.

epoetry.thatdifference

ishardtograspandexpress.ithasaosphere,visibleine

poetry,painting,arture,porcelainandhousederations,aialunityof

abletoessquare,inlinesandfortrulyhyofthe

thefullsignifialligraphyasthebasisofeseaestheticswillbe

naofanart.

hewillbe

transfortioniistsnd,shoofitsirrelevasdisharnies,and

boldnessandfreedofthebrushpresstheonlookerinanunfettable

nn.itoachievea

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

abletheprinesecalligraphy.thesebasic

atsphereallitso

it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

painting,butessentiallydifferentandachievedbydifferentans.itshoain

enoofterial,rkedbythenyblankspaces,anideaofposition

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thepointsofntrastarationeasiertotradhatthe

givingusonlyapletelysatisfying

odeepainting,and

seeninastudyofesepaintingandarture.inthelinesandpositionof

sandstructuresofesearture,weshallbe