painting,butessentiallydifferentandachievedbydifferentans.itshoain

poetry,painting,arture,porcelainandhousederations,aialunityof

spirit.

atsphereallitso

deternedbyitsoonyandrkedbyacertain”rhythcvitalityanda

seeninastudyofesepaintingandarture.inthelinesandpositionof

thepointsofntrastarationeasiertotradhatthe

naofanart.

ishardtograspandexpress.ithasaosphere,visibleine

hewillbe

nner.sohohepicturebeforeushasundergoneaninnerprocessof

sandstructuresofesearture,weshallbe

nn.itoachievea

enoofterial,rkedbythenyblankspaces,anideaofposition

transfortioniistsnd,shoofitsirrelevasdisharnies,and

esepainting,thefloure,isdistinguishedbyaspiritandan

ideasofrhythforndatspheregivethedifferentlinesofeseart,like

boldnessandfreedofthebrushpresstheonlookerinanunfettable

abletoessquare,inlinesandfortrulyhyofthe

givingusonlyapletelysatisfying

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it.thedesignisreobvious,theelinationofterialrerigidlycarriedout,

iii.painting

odeepainting,and

hihoutlosingitsessentiallikenessorintelligibilitytoothers.itissubjective

epoetry.thatdifference

artisthasinterferedaterialrealityaedittousonlyasitappearsto

thefullsignifialligraphyasthebasisofeseaestheticswillbe

abletheprinesecalligraphy.thesebasic