said:”anticbrush,

...

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ybeseeninyiiyujensatterineseingifthe

notinteopyreality,butrelytopleaseself”

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

oneevenobiletongue,dippedininkandligthepaperashedra\vs

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

fugitivespiriti.doicarehertheyareexactoot,herthe

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

dehesati”rontid”thespiritoftherecluse.”itisthisquality

lishu,andthearript.”oneseesalsointheholloherocksa

ngfuhielf.further,theartistiportantcalligraphic

oneshherefore,ineseinkdraanfiguresand

andnizesfurtherinthesileunityofdesignofesepaintingsth

treeohesaprincipleoftingusedineseings.tungchig

shenpo.ifthespaybesaed,as

oflightheartedandinguisheslipospoetry.thisyi

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

thisdesireisuandableuholarsspiritwas

saidthat”,theyshouldapplythelaherunningscript,the

treesthehesealter.forthisisasecretleftusbyghao

offeurecraftsnship.

principle,forproperspagistheveryfirstlaatedbypao

ngelsewas

thisplayingodatsforacertainqualityofesepainting,calledyi.the

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

ntouroftheterisurical,butispagisanunfivable

along,paintingillis,thesreation.

sicstrokes.iinglihepine

hollohetreofthestrokes,aheenthe

hunspirittogetathedru

aybeusedto

typeofsalledfeipo,any

saidaboutpaintihateverylineshouldtallalong,andhihsaid

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

landscapesofthesouthesertaininfluenalligraphy.first,ohe

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