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fugitivespiriti.doicarehertheyareexactoot,herthe

thisdesireisuandableuholarsspiritwas

dehesati”rontid”thespiritoftherecluse.”itisthisquality

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lishu,andthearript.”oneseesalsointheholloherocksa

landscapesofthesouthesertaininfluenalligraphy.first,ohe

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

principle,forproperspagistheveryfirstlaatedbypao

along,paintingillis,thesreation.

saidthat”,theyshouldapplythelaherunningscript,the

thisplayingodatsforacertainqualityofesepainting,calledyi.the

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he

notinteopyreality,butrelytopleaseself”

typeofsalledfeipo,any

reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

offeurecraftsnship.

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

sicstrokes.iinglihepine

treesthehesealter.forthisisasecretleftusbyghao

andnizesfurtherinthesileunityofdesignofesepaintingsth

oneevenobiletongue,dippedininkandligthepaperashedra\vs

aybeusedto

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

ybeseeninyiiyujensatterineseingifthe

said:”anticbrush,

shenpo.ifthespaybesaed,as

ngfuhielf.further,theartistiportantcalligraphic

oflightheartedandinguisheslipospoetry.thisyi

ngelsewas

hunspirittogetathedru

ntouroftheterisurical,butispagisanunfivable

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

oneshherefore,ineseinkdraanfiguresand

saidaboutpaintihateverylineshouldtallalong,andhihsaid

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

hollohetreofthestrokes,aheenthe

treeohesaprincipleoftingusedineseings.tungchig

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and