saidthat”,theyshouldapplythelaherunningscript,the

ntouroftheterisurical,butispagisanunfivable

thisplayingodatsforacertainqualityofesepainting,calledyi.the

itive59or”recluse”qualityisprizedasthehighestqualityofthescholars

fugitivespiriti.doicarehertheyareexactoot,herthe

ngfuhielf.further,theartistiportantcalligraphic

notinteopyreality,butrelytopleaseself”

along,paintingillis,thesreation.

ybeseeninyiiyujensatterineseingifthe

restraiheralandpoliticalspheres,andinpaintingatleast,itdiditsbestto

hollohetreofthestrokes,aheenthe

typeofsalledfeipo,any

oneshherefore,ineseinkdraanfiguresand

forthisquality,said:”baoopaintingsarenotintendedrelytopaintthe

landscapesofthesouthesertaininfluenalligraphy.first,ohe

dehesati”rontid”thespiritoftherecluse.”itisthisquality

sicstrokes.iinglihepine

offeurecraftsnship.

hunspirittogetathedru

sendary.therearetodaypaintersakesketcheshtheirbarefingers,and

...

oneevenobiletongue,dippedininkandligthepaperashedra\vs

ngelsewas

treesthehesealter.forthisisasecretleftusbyghao

saidaboutpaintihateverylineshouldtallalong,andhihsaid

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reverthatfreedoniyiinlin13011374,agreatyuanpaidistinguished

thisdesireisuandableuholarsspiritwas

aybeusedto

said:”anticbrush,

paintings,anditesfroheplayingspirit.liketaoisitistheeffortofthe

treeohesaprincipleoftingusedineseings.tungchig

lishu,andthearript.”oneseesalsointheholloherocksa

andnizesfurtherinthesileunityofdesignofesepaintingsth

shenpo.ifthespaybesaed,as

oflightheartedandinguisheslipospoetry.thisyi

principle,forproperspagistheveryfirstlaatedbypao

ofcalligraphythateveryslantinglineshouldhavethreets.tungchigalso

leavesarethickorthin,orherthebranchesarestraightorcrooked”again,he