s,butby

nordoesitdependonhavingaexpenditureoflabourand

sotisapparentandsotishidden.thisisnotjust”rhythcirregularity,”

happinessynotlast.

xedbranchesforyourfendplantcreepersover

”peoplexputtyhhsiianesionebasinsbecausethelours

tofakyhillside,alivehrugged

atsphereofarishouse.”itwassoindeed.

letusfollohesetures,apooresescholarandhis

salour1soed,andusedaregularyihsihen

beauty.thisistoshoall.ntrivesothatanapparentlyblind

revealsandncealsalteately,kingit

ofthetentsblend.theyellohishill,ho,and

thodoftheboatninouativedistrileverarrashtheir

.oningbackitalkeditoverhyiin,andsaid:

theunrealinthereal.poorscholarshe

andsorrohejealousyofthegodsandafraidthattheir

do””takesooftheintosllpieces

litedspaodifications....y

...

intoablindurtyardaheviebootreesandafew

alleyleadssuddenlyintoanopenspadthekitleadsthroughabackdoorinto

roethingthere.placeloradesalongthe

anuedurtyard.thisistoprovidefortherealintheunreal.letadoorlead

topofaosuggestaroofgarde.thisistoprovidefor

tht.onitsbackaderuggedsquarelinesliketho

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vered.thus

spaces,plantbaoosthatgrotreeshthickbrao

binationofnvexandncaveshapes,deratedhgreen,

verthethisistoshoallinthelarge.all,the

pot,overountainpeako,ingdoions

terial.pileupaundthegroundaeithrocks,

sucharrahets,thekitandtheparlourwereallarranged

theherehouthills.inthebigopen

andxtheybeforeitisdry,andperhapsisdryithe

onepebblesofgreatbeauty

pingofspaesaid

althoughtheyareveryelegant,theyblendinlourhputty.we

laughinglyto,”thearrasareexquisiteenough,but,afterall,itlacksthe

artisticapoor