about.

sinaryiortahegreatestpainsstbetakento

birdsheboatsuggeststhattheboatanbeingswere

exanationsinpaintinguheierialbureauofpainting,his

goldenan.theiriressionissthereforeahuniressionisinpaintinga

theyreerthattheyarepaintingforfelloanbeingsandtheions

nsioninthebackground,aidpeepingout

theorythat”thenustpreaterial

selves,sin.

picture,theirobjectistonveyaunifiedioo

thatthebestnes

nceiveapoetiception.inthesungdynasty,petitive

atthedesertedferry,aboatdriftsacrossbyitself.

suggest.buthebleofasaxophohatgically

ionofthepoeticeptionoverruledeveryotherstandard.invariablyit

ofthecurrent,butthepaintercarriedthethodofsuggestionfurther.thewinning

peratesthroughachaagneglassthatrestsonaahathides

all.andthispicturehehe

silenddesolationbyshohattheboat,leftalone,driftedacrossbytheforce

reality,therefore,buttheartistsionoftherealityisthepurportofthepainting.

gunardli.theeseiressionistpainted,hoh

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igination.anothersubjectgivenweiing:

lltheiriy,theeseartistsarenotabletoprodufreaksto

andpoutabasketfulofrisdeliies,likeducksfeet,ikhi,waln

uhreequartersofatrazesoverthefunnelsofa

buttheiyliesisuggestiveinterpretationofthatpoetie.afeplesinations

intheriodepainter,sickofpaintiy,ryto

birdrestingo,andanotheroneabouttoperit.thepresehe

stbehunlyintelligibletoothers.theyarerestraihedoeofthe

baoosverahebridge.

therean,hoboogrovebyitsside,

picturehisfeelingofsilenddesolationbydrawinga

hepaintiionthatisteristic

wasaline:

thereosphereofluxury

thepoethadalreadyusedthethodofsuggestioninnveyisphereof

...

includeandtoleaveout,resultingintheffunglingquality.

andhiddeninthatgrove,onlyashopsignbearingtheter”no

orstriedtorateonthehetreofthepicture.

startlethelayn.thebasisoftheiriressioniss,ashasbeenexplaihe