theisdesubservienttothe

notraalefest,

anbody,espealebody,seetotobethest

forofnature.ifthereisanyapprealehunforssuch,wesee

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

ursetherearealsonyeersy

...

niyiinligiveusapindesolation,htheuntryastretch

eartisthedifferehesourceofinspiratioselfforthe

ihegeneralistnessoftheatsphere,or,like

felefigurecalled”ion.”thereisstilltodayalargeproportionof

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe

ther”abovetheirntelpiedutelatea

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

recreateforusapicture,”surchargedoodsandfeelings,evergingand

eetagain

singularteristifostsingularntrastbethineseand

englishandarisocietyuresintheirflatsby

te,beforeoneleaeventhefirstessentialsofpainting.of

theygenerallybanishtheaionbycallihings

”art,”andtheonesadethen”cr

hespiritofthethingsasitisinstilledintohissoul,and

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

arestilluoreheelvestothefaivilizationrequires

lingistsherodenlethetrees,

vienneseporeoftheirfriendshavepreseheorchrists,

andthisgeneralrhythalldetailstenandonlythetralinood

bathinggirlshouldbedetorepreseeer.”todaynyese

nature.heshouldousthebeofthatnionofnature,and

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sayingthattheroosrentedfuished,andknotodoha

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

saatsphereandthesafeelingfoature,butirayalofhunfor,

dofnature.thebestofelandscapes,likerots3giveusthe

eastandthefeleforortheindasbeingre

ight,likeyiijen,giveusalandscapeof

gongpilesofksandbrushwood

notthebeautiesoftheirbodiesbutthelihehehis