te,beforeoneleaeventhefirstessentialsofpainting.of

sayingthattheroosrentedfuished,andknotodoha

grotesquethanthatafelefigureshouldbelabelled”ion”orthatanude

reins.thatis”rhythcvitality,”ettijuung,thehighestidealof

vienneseporeoftheirfriendshavepreseheorchrists,

eastandthefeleforortheindasbeingre

gongpilesofksandbrushwood

eetagain

andhideshielfinbaoogrovesfordaysioabsorbthespiritoflifeand

ursetherearealsonyeersy

...

eartisthedifferehesourceofinspiratioselfforthe

niyiinligiveusapindesolation,htheuntryastretch

ther”abovetheirntelpiedutelatea

andthisgeneralrhythalldetailstenandonlythetralinood

lingistsherodenlethetrees,

felefigurecalled”ion.”thereisstilltodayalargeproportionof

notraalefest,

anbody,espealebody,seetotobethest

theisdesubservienttothe

recreateforusapicture,”surchargedoodsandfeelings,evergingand

ihegeneralistnessoftheatsphere,or,like

forofnature.ifthereisanyapprealehunforssuch,wesee

nature.heshouldousthebeofthatnionofnature,and

arestilluoreheelvestothefaivilizationrequires

ofblankenessareessosparseoffoliagethatonlyafewdanglingleaves

actualliving”dels,”strippedandplacedbeforeoneseyes,tobestaredatdailyfor

dofnature.thebestofelandscapes,likerots3giveusthe

bathinggirlshouldbedetorepreseeer.”todaynyese

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”art,”andtheonesadethen”cr

hespiritofthethingsasitisinstilledintohissoul,and

ight,likeyiijen,giveusalandscapeof

singularteristifostsingularntrastbethineseand

englishandarisocietyuresintheirflatsby

notthebeautiesoftheirbodiesbutthelihehehis

theygenerallybanishtheaionbycallihings

saatsphereandthesafeelingfoature,butirayalofhunfor,

affectusbytheirlonelinessandtheirshiveringld.inthepoosphere

thisisthessageofeseart,thatitteachesusaprofoundloveofnature,forthe